The name Gari Melchers once held true star power.  At the pinnacle of his career, Melchers occupied studios in Paris, Holland and New York, was represented in museums at home and abroad, and was a critical and commercial success. He was exceptiona …

As an expatriate in Holland, Germany, and Paris and back in the United States, every time Gari Melchers pulled up stakes he was compelled to find a new studio to work in. First considerations were always given to light —and not just any light—northern …

Gari Melchers was a painter in oil, watercolor and pastel. While some explored the possibilities of photography as an art form, the technology held little attraction for him other than how it might save him time and expense. Preliminary photographic re …

Whenever American artist Gari Melchers (1860-1932) found something he thought especially aesthetically pleasing, he tended to incorporate it in his work over and over again. Whether a favorite patterned cape, a particular dress, or a special chair or v …

The creation of a work of art, just as with music or poetry, begins with the germ of an idea or a sudden inspiration, suggested by, say, the flash of a girl’s smile or the wind whispering in the trees. The painter is quick to express his first response …

Sitting in a doctor’s office a few years ago, I picked up an old copy of Neurology Now and read an article that intrigued me as a museum educator.  The author described a new tour, Meet Me at MoMA, introduced by the Museum of Modern Art 2006 to sp …